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*>>s. One does not even know quite what to call it, there being in the choice of terms an implication of judgment on the value of the form itself. Moviegoing has become formal even as the form loosens. Once I would leave a bad movie as swiftly as I would shut a dull book. Now I stay through it all watching for what should not be missed. Movies are like an old pol become a statesman; what he says is not so much improved as the value given it
*>>persistent belief that the more striking its ideas, the more effective the novel. All his disclaimers, all his insistence that the novelist is not playing with ideas but exploring human individuality, serve only to emphasize his real allegiance. For him the three great novelists of this century, the ones who really matter, are all men?all, one might say, specifically masculine?and all Central Europeans: Broch, Kafka, and Musil. And of these the real intellectual??s novelist, the one most committed to ideas, is Musil. He is the apotheosis of the modern Dichter, one who has passed beyond life into a world of a
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