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*>>8221; of an author??s life as compared to ??the message.?? Balakian has gone on to write an honest, healthily partisan, well-informed book that sometimes stays too close to its subject but at least tries to come to terms with a powerful mind. (The subtitle seems inappropriate; she treats Breton essentially as an intellectual hero:)The book moves in chronological order and mixes basic biographical information and interpretation with discussion of the texts. The brief remarks on Breton??s solitary upbringing in Brittany, between a dark northern countryside and the sea, have real pertinence. Balaki
*>>d and very little idea of how it would develop; he simply let them get on with it. Parallel with this freedom of behavior there went, from Richardson onward, an ever-increasing flexibility and subtlety in the formal devices open to the novelist, until with James??s insistence on a totally dramatized form we see the novel trying to deny its origin as a narrative, as a story that someone has told. Both kinds of freedom, of physical or psychological action and of formal expressiveness, culminated in the work of Proust and Joyce, which in many ways brought the free development of the novel to a halt. Naturally, th
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